| Artist |
Wire |
| Album Title: |
Change Becomes Us |
| Album Cover: |
 |
| Primary Genre |
Alternative & Punk: Art Rock |
| Format |
CD |
| Released |
03/26/2013 |
| Label |
PinkFlag/Mutesong |
| Catalog No |
PF20 |
| Bar Code No |
5 055300 369048 |
| Packaging |
Digipack |
| Tracks |
| 1.
|
Doubles & Trebles (3:51)
|
| 2.
|
Keep Exhaling (1:40)
|
| 3.
|
Adore Your Island (2:46)
|
| 4.
|
Re-Invent Your Second Wheel (3:46)
|
| 5.
|
Stealth Of A Stork (1:54)
|
| 6.
|
B/W Silence (4:40)
|
| 7.
|
Time Lock Frog (5:46)
|
| 8.
|
Magic Bullet (3:42)
|
| 9.
|
Eels Sang (2:16)
|
| 10.
|
Love Bends (4:02)
|
| 11.
|
As We Go (4:36)
|
| 12.
|
& Much Besides (6:13)
|
| 13.
|
Attractive Space (3:33)
|
|
| Date Acquired |
04/04/2013 |
| Personal Rating |
 |
| Acquired from |
Electric Fetus - Minneapolis |
| Purchase Price |
15.29 |
Web Links |
All Music Guide Entry:
Discogs Entry:
MusicBrainz Entry:
Wikipedia Entry: |
Notes |
Notes:
℗ & © 2013 PINKFLAG
Credits:
Acoustic Guitar – Colin Newman (tracks: 1, 6), Matthew Simms (tracks: 12)
Art Direction, Photography By – Jon Wozencroft
Baritone Guitar [Baritone Electric Guitar] – Colin Newman (tracks: 1, 4, 7), Graham Lewis (tracks: 8)
Bass Guitar – Colin Newman (tracks: 9), Graham Lewis
Drums – Robert Grey
Electric Guitar – Colin Newman (tracks: 1 to 6, 8 to 13), Matthew Simms
Engineer [Rockfield Studios] – Sean Douglas (2)
Guitar [12 String Guitar] – Matthew Simms (tracks: 12)
Handclaps – Colin Newman (tracks: 5), Graham Lewis (tracks: 5), Matthew Simms (tracks: 5), Robert Grey (tracks: 5)
Lyrics By – Colin Newman (tracks: 12), Graham Lewis (tracks: 1 to 11, 13)
Mandolin – Colin Newman (tracks: 7)
Mastered By – Denis Blackham
Mellotron – Colin Newman (tracks: 1 to 11), Matthew Simms (tracks: 11, 13)
Mixed By – Colin Newman
Music By – Wire
Organ – Colin Newman (tracks: 2, 3, 8, 10, 12)
Percussion [Bottle, Radiator] – Robert Grey (tracks: 7)
Percussion [Floor Percussion] – Robert Grey (tracks: 7, 12)
Piano – Colin Newman (tracks: 4, 9), Graham Lewis (tracks: 12)
Producer – Colin Newman
Programmed By [Guitar FX] – Colin Newman (tracks: 9), Matthew Simms (tracks: 7, 9, 10, 13)
Synthesizer [Monotron] – Graham Lewis (tracks: 12)
Vocals – Colin Newman (tracks: 1 to 3, 5 to 8, 10 to 13), Graham Lewis (tracks: 4, 9)
Voice [Ahhs] – Colin Newman (tracks: 1, 6)
Written-By [Song] – Colin Newman, Graham Lewis (tracks: 4, 9)
Companies, Etc.:
Distributed By – Redeye
Phonographic Copyright ℗ – Pinkflag
Copyright © – Pinkflag
Published By – Pinkflag
Published By – Mute Song
Engineered At – Rockfield Studios
Recorded At – Swim Studio
Mixed At – Swim Studio
Mastered At – Skye Mastering
Glass Mastered At – Optical Experts Manufacturing – 23332583
Barcode and other Identifiers:
Barcode (Text [EAN-13]): 5 055300 369048
Barcode (Scanned [EAN]): 5055300369048
Matrix / Runout: 03/10/2013 01:15:42AM #97606 23332583 01
Mastering SID Code: IFPI LN08
Mould SID Code: IFPI JI21
-----------------------------------------------------------------------
Analyzed Folder: Wire - Change Becomes Us_dr.txt
-----------------------------------------------------------------------
DR Peak RMS Filename
-----------------------------------------------------------------------
DR6 -0.10 dB -07.56 dB 01 - Doubles & Trebles.aif
DR6 -0.10 dB -07.37 dB 02 - Keep Exhaling.aif
DR6 -0.10 dB -06.95 dB 03 - Adore Your Island.aif
DR5 -0.10 dB -06.48 dB 04 - Re‐Invent Your Second Wheel.aif
DR6 -0.10 dB -06.72 dB 05 - Stealth of a Stork.aif
DR5 -0.10 dB -06.94 dB 06 - B-W Silence.aif
DR7 -0.10 dB -08.98 dB 07 - Time Lock Fog.aif
DR6 -0.10 dB -07.60 dB 08 - Magic Bullet.aif
DR8 -0.10 dB -08.97 dB 09 - Eels Sang.aif
DR5 -0.10 dB -06.23 dB 10 - Love Bends.aif
DR5 -0.10 dB -07.22 dB 11 - As We Go.aif
DR8 -0.10 dB -10.34 dB 12 - & Much Besides.aif
DR6 -0.10 dB -08.71 dB 13 - Attractive Space.aif
-----------------------------------------------------------------------
Number of Files: 13
Official DR Value: DR6
-----------------------------------------------------------------------
|
|
| Reviews |
All Music Guide Review by Heather Phares:
As with many things, Wire were ahead of their time when they reunited several years before other post-punk and indie favorites decided to get back together during the 2000s and 2010s. They were already a going concern when they began playing lesser-known material that had previously only appeared on the live albums Document and Eyewitness and Turns and Strokes during the Red Barked Tree tour. Inspired, Wire headed into the studio with touring guitarist Matt Simms to rework and flesh out these songs, which were seen as some of their most challenging music. While revisiting old material is often seen as a sign of artistic death -- especially for a band as innovative as Wire -- they handle it creatively on Change Becomes Us. Object 47 and Red Barked Tree had already suggested that the band had found a way to place the intensity of its early days into a more modern context, and this album is just a further expression of that. Tempering the more confrontational aspects of these songs with atmospheric productions and arrangements that feel of a piece with Red Barked Tree, Change Becomes Us is more meditative, and more focused, than the material's intimidating reputation would suggest. When it was known as "Ally in Exile," the opening track "Doubles & Trebles" sounded like it could bore into listeners' brains; here, its tale of espionage gone wrong is just as paranoid but more resigned-sounding, only adding to its air of hopelessness. Similarly, "Eels Sang" trades the chaos of its origins for a lunging rhythm that underscores its wordplay, and "Re-Invent Your Second Wheel" (formerly "Zegk Hopq") is much more melodic and playful, its cryptic lyrics now playing more like a secret handshake than an impenetrable code. However, Change Becomes Us is more than just a rehash or compare-and-contrast exercise; these songs sound great in their own right. While "Adore Your Island"'s mix of power chords and breakneck choruses proves they can rock as hard as ever, the quieter path Wire take on most of the album is just as compelling, particularly on "Time Lock Fog"'s chilly undertow or "Magic Bullet"'s shifting reflections. As tempting as it is to wonder what these songs would have sounded like if the band had recorded them in the studio closer to when they were written (instead of taking a hiatus for half of the '80s), hearing the group filter the energy of the past through years' worth of experience should make Change Becomes Us the best of both worlds for many Wire fans.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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